Bhutanese culture, an exhibition on traditional masks was inaugurated at the national museum, Ta dzong in Paro

In another effort at preserving Bhutanese culture, an exhibition on traditional masks was inaugurated on March 11, at the national museum, located at Ta dzong in Paro.

The director of the national museum, Khenpo Phuntshok Tashi, explained during the inauguration ceremony why such an exhibition had been created. He said that mask dances are an important aspect of Bhutanese culture and so the masks used in the dances had to be preserved. He said that it is important for Bhutanese citizens to know the various kinds of masks that exist, the differences between them, how they are manufactured, and who make them.

Khenpo Phuntshok Tashi added that the significance of the masks did not have to be limited to only Bhutanese. He said that the exhibition would also allow the significance of the masks to be shared with foreign visitors as well.

He pointed out that if the significance of the masks were not shared today, then it could become a reality that the masks are only used and viewed as entertainment, eventually to go extinct.

Chief guest at the function, Lyonpo Khandu Wangchuk, also shared a similar perspective. He said that tsechus had to be continued and for that to happen, the significance of the masks had to be shared and preserved.

Lyonpo Khandu Wangchuk pointed out that, despite Bhutan not remaining in self-imposed isolation and achieving a relatively giant leap out of medievalism, Bhutanese culture had still remained intact from the time of Zhabdrung Ngawang Namgyel. He pointed out that, as Bhutan is a small country, it was important to have an identity, especially with globalisation taking place.

A total of 161 traditional masks used in 21 religious dances or cham are now in display at the museum.

For instance, masks used in religious dances such as, among others, the guru tshengye, bardo cham, Peling gingsum ging and tsholing, and drametse ngacham are displayed.

Source: Kuenselonline

Paro National Museum of Bhutan

National Museum (Ta-Dzong). This was actually the Watch Tower of Paro Rinpung Dzong. It was converted to the National Museum in 1968.

The National museum accumulated more and more objects from different parts of the country and is today a storehouse of Bhutan's cultural and traditional treasures. Over thirteen galleries, each exhibits from different periods and places in the country, the National Museum of Bhutan takes pride in its effort to educate its visitors, be they local or foreign, about the country's cultural history that date back to as early as 2000 B.C and its metamorphism over the ages into what it is today.

It’s not only as a huge tourist attraction but also as an institution of learning for both scholars and visitors, considering the history of the building.

The Paro National Museum has 6 floor and description are as follows:

Ground Floor: Galleries of ancient arms, urns, bronze and copper vessels, epigraph and wooden containers.

1st Floor: Galleries of cane and bamboo containers, urns, horn containers and farming appliances.

2nd Floor: Galleries of natural History and Buddhist ritual objects.

3rd Floor: Galleries of ancient tea pots, wine containers, jewelry, numismatics, evolution of men and women’s dresses, tribal dresses, charm boxes, wooden cups and personalize gallery of Zhabdrung Ngawang Namgyel.

4th Floor: Galleries of Pre-History and early history of Bhutan, Life and Legacy of Pema Lingpa and Pha Drung Drung, Costumes of Regional dancers, Manuscripts, Images and Arms and Armour.

5th Floor: Galleries of Medieval Bhutan, Thangkas, bronzes, slate carvings and Chapel of the Wealth Deity.

6th Floor: Galleries of Philately of Bhutan, photoplates of dzongs, Thangkas and Chapel of the Three Dimensional Mandala.